Paul Miller in The Church Studio photo by: Candace Hill-Montgomery
Tickets
Non-Members: $18
Members: $10
Paul D. Miller, “Portrait of Orwell”
Courtesy the Artist, 2022
Paul Miller, aka DJ Spooky, wants you to think about double-think and how we frame events, create meaning, and interact with our world. Join us for an evening of exploration and reflection on one of the world’s most influential science fiction works presented by an artist with a globally conscious mind.
The accomplished and socially minded composer, multimedia artist, and writer returns to The Church, post-summer residency, with a presentation of Parallax of Quantum, an exploration of the impact of George Orwell’s 1984. Join us as Miller presents the work, discusses the process, and invites you into a dialogue. Where are we collectively in the world of late capitalism and the fog created by the digital media flood of data and information? Where are you as an individual?
An exploration of George Orwell, Parallax of Quantum illuminates a study of the way we organize our thoughts and emotions to navigate through the deluge of information we confront in our ever-growing digital world. Commissioned by the Deep Water Literary Festival in tandem with the Orwell Foundation, the work invites audiences to a digitally narrated piece against a backdrop of Miller’s music composition, artwork, and graphics.
ABOUT THE ARTIST
PAUL MILLER
AKA DJ SPOOKY
(Photo by Janelle Pietrzak)
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Former The Church Artist-in-residence and currently Artist in Residence at Yale University Center for Collaborative Arts and Media (2023-2024, extended). He is a composer, multimedia artist, and writer whose work engages audiences in a blend of genres, global culture, and environmental and social issues. Miller has collaborated with an array of recording artists, including Ryuichi Sakamoto, Metallica, Chuck D from Public Enemy, Steve Reich, and Yoko Ono amongst many others. His 2018 album, DJ Spooky Presents: Phantom Dancehall, debuted at #3 on Billboard Reggae.
His large-scale, multimedia performance pieces include “Rebirth of a Nation,” Terra Nova: Sinfonia Antarctica, commissioned by the Brooklyn Academy of Music, and Seoul Counterpoint, written during his 2014 residency at Seoul Institute of the Arts. His multimedia project Sonic Web premiered at San Francisco’s Internet Archive in 2019. He was the inaugural artist-in-residency at the Metropolitan Museum of Art’s The Met Reframed, 2012-2013.
In 2014, he was named National Geographic Emerging Explorer. He produced Pioneers of African American Cinema, a collection of the earliest films made by African American directors, released in 2015. Miller’s artwork has appeared in the Whitney Biennial, The Venice Biennial for Architecture, the Miami/Art Basel fair, and many other museums and galleries.
His books include the award-winning Rhythm Science, published by MIT Press in 2004; Sound Unbound, an anthology about digital music and media; The Book of Ice, a visual and acoustic portrait of the Antarctic, and; The Imaginary App, on how apps changed the world. His writing has been published by The Village Voice, The Source, and Artforum, and he was the first founding Executive Editor of Origin Magazine.