Sue Bachemin, Photo by Linda K. Alpern.
Tickets
General Ticket: $10
Members: Free, RSVP Required
Artist-printmaker and arts-educator Susan Bachemin invites you to the final Insight Sunday of the year. Diving into the process of Red Migraine, 2024, a work included in our exhibition Here & There: The First Churchennial, Bachemin reflects on her inspirations, process, and more. Following the discussion there will be a Q&A with the artist as well as an invitation to step into the Open-Studio with our 2025 Community Artists in Residence downstairs on the ground floor.
Bachemin’s work is influenced by a career trajectory that has touched several artistic disciplines. Film, music, commercial work, wallpaper design and more have given the artist a diverse set of skills that is as unique as the monotype prints she creates. A strong interest in printmaking is woven into her process and at the core of her work is the curiosity and reflection on health concerns among marginalized communities. Join us for a fascinating glimpse into our printmaker-in residence and learn more about the woman who runs our beloved printmaking workshops alongside Samuel Havens.
Bachemin’s work can be viewed during exhibition hours Thursday-Monday, 11 AM – 5 PM.
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Susan is an artist-printmaker and arts-educator with a BFA in printmaking from Carnegie Mellon University. Her multi-tiered experience in a variety of printing disciplines has enabled her the privilege of assisting exceptional artists at the press, in concert with a career of travel creating public and private mural and print commissions featured in publications such as World of Interiors, NYT Styles, and New York Behind Closed Doors (Polly Devlin). While co-owner of her Brooklyn-based design partnership SB Studios LLC, she independently exhibited in group shows at various venues including Ronald Feldman and Ridge Street galleries. Currently rooted in this extraordinary community of east end artists, as Printmaker-in Residence at The Church, Susan embraces the role of facilitator of prints as a missionary of the monotype, intaglio, and silkscreen processes, and as an advocate for art access for all.